About David Thomson
David Thomson is one of the foremost film writers of our time. He has been hailed as “the greatest living film critic and historian” by Benjamin Schwarz of The Atlantic Monthly.
Born and raised in London, David Thomson won a scholarship to attend private school and after graduation enrolled in the London School of Film Technique—the only such school in Britain at that time. A risky move, certainly—and many urged Oxford, the expected choice—but that has led Thomson to a remarkable career as a film historian and writer. In early 2011, The New Republic named David Thomson columnist for its new online section, “At the Movies,” where his reviews will encompass both new releases and old classics. Thomson is also a contributor to The New York Times, Film Comment, Movieline, The New Republic, and Salon. Additionally, Thomson has acted as screenwriter for the award-winning documentary The Making of a Legend: Gone With the Wind, taught film studies at Dartmouth College, and served on the selection committee for the New York Film Festival.
Thomson’s work as a critic dovetails with his work as an author. He has been the biographer of Orson Welles and Nicole Kidman and has written a history of Hollywood titled The Whole Equation. Most notably, David Thomson is the creator and complier of The New Biographical Dictionary of Film, which is lauded as the first (and best) reference book of its kind for the film world. “As grand and eccentric as Samuel Johnson’s dictionary,” hails the New York Observer. Most recently, he has shared his childhood experiences in post-World War II London with Try to Tell the Story: A Memoir.
Critics and colleagues, moviegoers and review-readers all continue to seek out David Thomson. He is often the final word on a film. His breadth of knowledge, candor, insight, and devastating wit make learning about the cinema at least as much fun as watching the film he writes about.