Richard Russo

That Old Cape Magic

Griffin has been tooling around for nearly a year with his father's ashes in the trunk, but his mother is very much alive and not shy about calling on his cell phone. She does so as he drives down to Cape Cod, where he and his wife, Joy, will celebrate the marriage of their daughter Laura's best friend. For Griffin this is akin to driving into the past, since he took his childhood summer vacations here, his parents' respite from the hated Midwest. And the Cape is where he and Joy honeymooned, in the course of which they drafted the Great Truro Accord, a plan for their lives together that's now thirty years old and has largely come true. He'd left screenwriting and Los Angeles behind for the sort of New England college his snobby academic parents had always aspired to in vain; they'd moved into an old house full of character; and they'd started a family. Check, check and check.

But be careful what you pray for, especially if you manage to achieve it. By the end of this perfectly lovely weekend, the past has so thoroughly swamped the present that the future suddenly hangs in the balance. And when, a year later, a far more important wedding takes place, their beloved Laura's, on the coast of Maine, Griffin's chauffeuring two urns of ashes as he contends once more with Joy and her large, unruly family, and both he and she have brought dates along. How in the world could this have happened?

That Old Cape Magic is a novel of deep introspection and every family feeling imaginable, with a middle–aged man confronting his parents and their failed marriage, his own troubled one, his daughter's new life and, finally, what it was he thought he wanted and what in fact he has. The storytelling is flawless throughout, moments of great comedy and even hilarity alternating with others of rueful understanding and heart–stopping sadness, and its ending is at once surprising, uplifting and unlike anything this Pulitzer Prize winner has ever written.

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Bridge of Sighs

Six years after the best–selling, Pulitzer Prize–winning Empire Falls, Richard Russo returns with a novel that expands even further his widely heralded achievement.

Louis Charles (''Lucy'') Lynch has spent all his sixty years in upstate Thomaston, New York, married to the same woman, Sarah, for forty of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist, though he's had plenty of reasons not to be—chief among them his mother, still indomitably alive. Yet it was her shrewdness, combined with that Lynch optimism, that had propelled them years ago to the right side of the tracks and created an ''empire'' of convenience stores about to be passed on to the next generation.

Lucy and Sarah are also preparing for a once–in–a–lifetime trip to Italy, where his oldest friend, a renowned painter, has exiled himself far from anything they'd known in childhood. In fact, the exact nature of their friendship is one of the many mysteries Lucy hopes to untangle in the ''history'' he's writing of his hometown and family. And with his story interspersed with that of Noonan, the native son who'd fled so long ago, the destinies building up around both of them (and Sarah, too) are relentless, constantly surprising, and utterly revealing.

Bridge of Sighs is classic Russo, coursing with small–town rhythms and the claims of family, yet it is brilliantly enlarged by an expatriate whose motivations and experiences—often contrary, sometimes not—prove every bit as mesmerizing as they resonate through these richly different lives. Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.

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Empire Falls

With Empire Falls, for which he won the Pulitzer Prize, Richard Russo cements his reputation as one of America's most compelling and compassionate storytellers.

Miles Roby has been slinging burgers at the Empire Grill for 20 years, a job that cost him his college education and much of his self-respect. What keeps him there? It could be his bright, sensitive daughter Tick, who needs all his help surviving the local high school. Or maybe it's Janine, Miles' soon-to-be ex-wife, who's taken up with a noxiously vain health-club proprietor. Or perhaps it's the imperious Francine Whiting, who owns everything in town—and seems to believe that "everything" includes Miles himself. In Empire Falls Richard Russo delves deep into the blue-collar heart of America in a work that overflows with hilarity, heartache, and grace.

"The history of American literature may show that Richard Russo wrote the last great novel of the 20th century." — Christian Science Monitor

"Cause for celebration. . . . Rich, humorous, elegantly constructed, rooted in the bedrock traditions of American fiction." —Janet Maslin, New York Times

Straight Man

In this uproarious novel, Richard Russo performs his characteristic high-wire walk between hilarity and heartbreak. Russo's protagonist is William Henry Devereaux, Jr., the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux’s reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans.

In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting and true-to-life, witty, compassionate, and impossible to put down.

Nobody’s Fool

In this slyly funny and moving novel, the author of The Risk Pool follows the unexpected operation of grace in a deadbeat, upstate New York town—and in the lives of the unluckiest of its citizens.

The Risk Pool

A wonderfully fun and perceptive novel in the traditions of Thornton Wilder and Anne Tyler, The Risk Pool is set in Mohawk, New York, where Ned Hall is doing his best to grow up, even though neither of his estranged parents can properly be called adult.

His father, Sam, cultivates bad habits so assiduously that he is stuck at the bottom of his auto insurance risk pool. His mother, Jenny, is slowly going crazy from resentment at a husband who refuses either to stay or to stay away. As Ned veers between allegiances to these grossly inadequate role models, Richard Russo gives us a book that overflows with outsized characters and outlandish predicaments and whose vision of family is at once irreverent and unexpectedly moving.

Mohawk

Mohawk, New York, is one of those small towns that lie almost entirely on the wrong side of the tracks. Its citizens, too, have fallen on hard times. Dallas Younger, a star athlete in high school, now drifts from tavern to poker game, losing money, and, inevitably, another set of false teeth. His ex-wife, Anne, is stuck in a losing battle with her mother over the care of her sick father. And their son, Randall, is deliberately neglecting his school work—because in a place like Mohawk it doesn't pay to be too smart.

In Mohawk Richard Russo explores these lives with profound compassion and flint-hard wit. Out of derailed ambitions and old loves, secret hatreds and communal myths, he has created a richly plotted, densely populated, and wonderfully written novel that captures every nuance of America's backyard.